My artistic photographic approach stems from my desire to constantly feed my artistic research and to nourish my reflection. My training (DNAP 2011) acts as a revelator. My instinctive use of the medium makes me produce resolutely blurred images. This aesthetic, through the course, reveals itself as a real language and becomes a characteristic bias in my photos. I assert myself in this medium and my training as a painter adds a new dimension to my plastic practice. I create a photo of the intimate, the trigger of which is sometimes an experience, sometimes a sensation, then translated according to a process that is close to the installation and that calls upon the pictorial.
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