Stéphane COJOT-GOLDBERG

BLUE

While the world is "classically" divided into North/South (or rich/poor) and East/West (or bad guys/good guys), I wanted to make an abstract atlas that refused this division. I travelled for two years creating my abstract images and then I printed my favourite photos on 10*15 prints. I put them on the floor and moved them around, questioned them, organised them to arrive at a utopian and aesthetic division: Bright, Night, Green, Blue. I showed the result to my little niece who came into my room and when she saw the arrangement she said: "it's wonderful"... I knew I had succeeded.

BRIGHT

While the world is "classically" divided into North/South (or rich/poor) and East/West (or bad guys/good guys), I wanted to make an abstract atlas that refused this division. I travelled for two years creating my abstract images and then I printed my favourite photos on 10*15 prints. I put them on the floor and moved them around, questioned them, organised them to arrive at a utopian and aesthetic division: Bright, Night, Green, Blue. I showed the result to my little niece who came into my room and when she saw the arrangement she said: "it's wonderful"... I knew I had succeeded.

GREEN

While the world is "classically" divided into North/South (or rich/poor) and East/West (or bad guys/good guys), I wanted to make an abstract atlas that refused this division. I travelled for two years creating my abstract images and then I printed my favourite photos on 10*15 prints. I put them on the floor and moved them around, questioned them, organised them to arrive at a utopian and aesthetic division: Bright, Night, Green, Blue. I showed the result to my little niece who came into my room and when she saw the arrangement she said: "it's wonderful"... I knew I had succeeded.

NIGHT

While the world is "classically" divided into North/South (or rich/poor) and East/West (or bad guys/good guys), I wanted to make an abstract atlas that refused this division. I travelled for two years creating my abstract images and then I printed my favourite photos on 10*15 prints. I put them on the floor and moved them around, questioned them, organised them to arrive at a utopian and aesthetic division: Bright, Night, Green, Blue. I showed the result to my little niece who came into my room and when she saw the arrangement she said: "it's wonderful"... I knew I had succeeded.